TALK ABOUT LOST IN TRANSLATION…
In the wake of a failed love affair, brainy beauty Jilly Lovitz takes off for Tokyo. She’s expecting to cry on her sister Summer’s shoulder, then spend a couple months blowing off steam in Japan. Instead, she’s snatched away on the back of a motorcycle, narrowly avoiding a grisly execution attempt meant for her sister and brother-in-law.
Her rescuer is Reno, the Committee’s most unpredictable agent. They’d met once before and the attraction was odd– tattooed Yakuza punk meets leggy California egghead–but electric. Now Reno and Jilly are pawns in a deadly tangle of assassination attempts, kidnappings and prisoner swaps that could put their steamy partnership on ice.
Fire and Ice is the fifth book in the “Ice” series and it’s the story of Jilly and Reno. They met for the first time about two years (I think) before the start of Ice and Fire in Ice Blue, the story of Jilly’s sister Summer and Reno’s cousin Takashi. It was just a short meeting, more a glimpse, but they were both equally fascinated by each other, as unlikely as that seemed based on their outward appearance and their differences in background. Then Reno also was present in Ice Storm, the story before this one, and Fire and Ice starts where Ice Storm ends: with someone after the agents of the Committee. And that’s why Takashi and Summer are not where Jilly expects them to be when she drops by for an unscheduled visit* and why it’s up to Reno to see that nothing happens to Jilly.
I thought Fire and Ice could be interesting with the pairing of the carefree, no rules apply Reno and the brainy, unsure of her appeal Jilly. And it worked for some time for me. But not enough to make me not realize that Fire and Ice is basically a damsel-in-distress story. That’s what keeps the story together because otherwise, the plot is all over the place. First Jilly and Reno run from someone who works against the Committee, then there’s trouble within the organization of Reno’s grandpa, and then there is last part that happens in the US and that feels like it’s an afterthought to make the story longer based on a rather flimsy connection to what happened before. Hmm.
Sidenote: Jilly is supposed to be incredible brainy but other than telling that it is so, there was no evidence of it. This is no dig at the damsel-in-distress slant of the story: Jilly’s clearly out of her depth in nearly all situations and besides the kind of smarts needed there is a different kind of smarts than she’s supposed to have I think, so I didn’t mind that most of the time. I just would have preferred more than the mere mentioning of degrees or field of studies to show that Jilly is indeed an egghead (especially because there are times she could have acted a bit smarter; see below).
As for the romance, amidst all that running, Jilly and Reno are afraid to admit they are attracted to each other. Jilly thinks she’s unattractive – tall for a woman and a kind of recluse thanks to her being so smart she always was years ahead in school compared to kids her age. Reno is a firm believer in “sex, not love” and fears Jilly is different and not just because of the dire warning from his cousin, the husband of Jilly’s sister, to stay the hell away from Jilly. And even if Reno respects nothing, he at least respects family. Which means his cold behavior feeds Jilly’s insecurities about herself even more. Much angst ensues.
But yes, amidst all that running, Jilly and Reno fall in love. At least the novel’s end says so. I have to admit, I don’t know why. As I said, I enjoyed their “romance” (and the angst) in the beginning but no matter how much they worried about the futility of their attraction, it didn’t show me when or why their fascination with their differences turned into love so uhm…at the end of the novel, Jilly and Reno’s romance still only was a strong fascination with each other’s differences in my eyes.
And yet oddly enough, I liked this novel better than Ice Storm despite Ice Storm having the more convincing romance and the tighter plot and Fire and Ice having a heroine who throws the gun at the villain instead of firing it.
On its plus side for me: the angst-ing in the beginning, the Japanese background and setting, and – I suspect – the fact that Reno is based on a character from Final Fantasy: Advent Children, a movie which in turn is based on Final Fantasy VII a video game for the PlayStation (see more here – link to “The Final Fantasy Wiki”). If I should name one thing that shaped my love for games it would have to be Final Fantasy, Final Fantasy VIII to be precise (more on that in a later post perhaps). So that’s why I suspect that I’m a bit forgiving for Fire and Ice‘s shaky plot and romance: Fire and Ice gets a (major) point for “coolness” from me.
* Funny: In Ice Storm the reason why Reno shows up in London is that Jilly is coming to Japan to visit her sister for some time. The story in Ice Storm covers only a few days and Reno leaves at the end of it to look after Jilly in Japan, but in Fire and Ice Jilly’s visit to her sister is unplanned?
~ * * * ~
I think I’m done with novels by Anne Stuart. The only problem is, I loved Black Ice, the first novel in this series, and now I’m afraid to read it again and find it lacking.
Sophia James – “One Unashamed Night”
21 AugGENRE: Romance / Historical
PUBLISHED: Harlequin Historical, 2010
WHY THIS NOVEL: I wanted to see how the hero’s poor eyesight was handled.
One Unashamed Night begins with a carriage ride. It’s a public coach, it’s winter, it’s night, and one carriage wheel creaks more and more. Taris, the hero in this story, is the only one who notices because his fading eyesight has sharpened his hearing. Before he’s made up his mind if the creaks mean the wheel will break, it’s too late: the wheel breaks; one man is dead and the driver is badly injured. Taris and one of the two women in the carriage (of course that’s the heroine, Beatrice-Maude) go for help because at night, with the bad weather, it’s unlikely that help will come to them.
But on their way to the next village, Taris and Bea actually meet a rescue party. They tell Taris and Bea that there’s a barn nearby and they should seek shelter there while they go on to look after the other passengers. And so it comes to the night that gives this story its title.
Bea is a recently widowed woman of twenty-eight years. She was married with her husband for twelve years and is now on her way to London to start a new life. Her marriage was bad. Her husband drank, was a righteous prick and if Bea made so much as the wrong (in his opinion of course) squeak, he beat her. The last few years of his life he was seriously ill and Bea had to care for him. So now all Bea wants is to enjoy her freedom and finally live the life she dreamed of. After reaching the barn, she is mightily tempted to do more with Taris than just try to get warm again after being out in the freezing cold. He’s the most handsome man she’s ever seen while she considers herself plain, and who would know? Maybe there is more to love-making than she experienced in her marriage (which is nil).
Taris lives in a world of shadows. He knows that soon he will see not even them anymore. His poor eyesight is a secret only very few people know and he intends to keep it that way. He also likes to push himself, doing things like riding a public coach just to prove to himself that he’s not useless yet. The carriage accident is a disaster, of course, but because it’s night his handicap doesn’t show (too much) and he’s able to be useful for once. When later there’s the opportunity to spend the night with a woman who knows nothing about him and won’t see him again and realize his damage, he doesn’t say no.
Or course, fate (and Taris relatives) have other plans and Taris and Bea meet again. It’s a few months later and Bea established herself well in London. Her salon, rife with discussions about controversy subjects, is talked about in all of London and well received. She meets Taris again and although she thinks he sees herself beneath his notice (added along by his near blindness and the way he acted after their night in the barn), she’s still attracted to him. Taris couldn’t forget Bea either. The romantic conflict in large parts revolves around the idea that each thinks him/herself not good enough for the other.
Taris fears to be a burden to other people and even more so to Bea who nursed her sick husband for years and now yearns to live her life like she wants. Bea thinks there can’t be a future for them because of their different positions in society. Or course, it takes Taris some time to find out the truth about Bea’s marriage as it does Bea to find out what’s behind Taris’s lack of eye contact, for example, and the general air of arrogance that surrounds him. The romance itself seemed a bit bland to me.
There’s at least one situation when I didn’t quite get the motivation of the characters and there’s a mystery subplot that feels a bit unconnected and seems just to be there to get Taris to act at the end. Also, there are a few “fluffy” and tired romance elements like Bea dressing in colors and suddenly not looking so plain anymore (at least, it’s not as bas as every man who catches sight of her falls for her) or her becoming such a success so fast after living for more than ten years as a country bumpkin and beaten wife. So I half-expected the miraculous cure for Taris problem to show up at the end, too, but no.
On the plus side, these romance elements are tempered by darker tones when the story touches upon the rights (or non-rights) of women at that time or when Taris struggles to find a new sense of his identity in a life without sight. I also really enjoyed the way Taris fading eyesight was shown in the text, like here:
and what Bea made of his behavior.
Overall, I thought One unashamed Night a nice enough read although I wasn’t really captured by the story and the characters. So it’s very likely that I won’t read this one again but I can certainly see myself reading another novel by Sophia James.
Tags: historical romance, Sophia James